Olin Stephens dead at 100 years old
        by John Rousmaniere on 14 Sep 2008
        
        
	
            
            Olin J Stephens 1908-2008 SW
        
 
        
        
        Yacht designer Olin J.  Stephens was Member Number 1 in the NYYC’s seniority list, having joined the club in  1930, or 78 years ago. This summer, as part  of the NYYC Race Week at Newport Presented by Rolex, the club celebrated a Classics  Regatta and Olin J. Stephens 100th Birthday Celebration on July 18-20.  The following is an excerpt from a chapter that first appeared in  The Encyclopedia  of Yacht Designers. 
          “I was lucky: I had a  goal. As far back as I can remember I wanted to design fast boats.” The first two sentences of Olin  Stephens’s autobiography, "All This and Sailing, Too," summarize a lifetime’s  vocation on the part of the most successful and influential designer of the 20th  century. He was raised near New York City and, as a boy, was introduced to  boats on family vacations at Cape Cod. Along with his father, Roderick,  and younger brother, Roderick Jr. (called Rod), he learned to sail in a series  of family-owned boats. Fascinated by sailing and its technology, the boys  absorbed all they could from yachting magazines and their own experience and  were encouraged and supported by their father.          
 
 Olin Stephens, center, on Bolero,  the flagship of the late NYYC Commodore John
Nicholas Brown. Bolero is now  owned by NYYC-member Ed. Kane. Ahead of Stephens is 
John Rousmaniere, the  author of this article and the NYYC Historian. Photo Rolex/Dan Nerney. 
   
    
    Stephens entered the  Massachusetts Institute of Technology in 1926, only to be forced to drop out  during his freshman year due to illness. Throughout his life, although he was a  pioneer in scientific yacht design, he would say that he regretted his lack of  training in mathematics and engineering. Yet Stephens had aptitudes that suited  his calling. “I started my career with the tools of observation and intuition to  which quantitative analysis has been gradually added,” he wrote in his  autobiography. “Whenever possible I studied lines and tried to see the way shape  was coupled to performance.” 
          By 1926 he was sailing  regularly at Larchmont Yacht Club in Six Meters, a restricted-design keel boat  of about 34 feet LOA and the hot racing class of the day with top-flight  sailor-designers like Clinton Crane and Sherman Hoyt. By 1928 he was working at  a drafting table at home and, with the help of Norman L. Skene’s manual  "The Elements of Yacht Design," was teaching himself how to draw  plans.
          Stephens’s on-the-water  observations of Six Meters confirmed the value of that rule of thumb. His first  published design, a Six, appeared in the January 1928 Yachting with  these comments by the young designer:  “In any design the most important factors  of speed seem to be long sailing lines and large sail area, with moderate  displacement and small wetted surface. Then comes beauty, by which is meant  clean, fair, pleasing lines. Though per se beauty is not a factor of speed, the  easiest boats to look at seem the easiest to drive.” 
 
Dorade -- the yacht that made Olin  Stephens famous. She won the Transatlantic Race 
and then the Fastnet Race  in 1931. Olin Stephens is center in the bottom row. To his 
right is brother  Rod Stephens. Dorade is now owned by Edgar Cato, a NYYC member.  
  
 
     To this equation he added  stability due to considerable external ballast. Many older designers of offshore  boats placed the lead ballast in the bilge in order to ease the boat’s motion  through a seaway. Stephens preferred it deep in the keel, where Six Meters and  other modern racing boats had it, in order to provide stability and  sail-carrying ability for good upwind performance.
          After working as a  draftsman for Henry J. Gielow, who specialized in large power boats, and Philip  Rhodes, Stephens in 1929 went into partnership with Drake Sparkman, a successful  yacht broker, to form Sparkman & Stephens Inc. (S&S). The aggressive Sparkman was the  salesman; Stephens, by nature a shy man, ran the design office. Their first project was a 21-foot LOA  keel boat for junior sailing on Long Island Sound called the Sound Junior Class,  later renamed the Manhasset Bay One Design (it is still sailing more than 70  years later). Then came a small cruising boat for his  father and several Six Meters. 
          In 1928 he raced to Bermuda  with John Alden in Malabar IX, and, after the finish, the 20-year-old swam from  boat to boat to talk to crews and explore design features as his back  blistered in the sun. After his grandfather sold the family coal business in  1929, his father commissioned S&S design Number 4, the 52-foot yawl  Dorade. Her concept was much closer to a Six  Meter than a Malabar. She had a tall Bermudian rig, balanced ends, narrow beam,  lead ballast deep in the keel and lightweight, sophisticated construction (with  steam-bent rather than sawn frames). Dorade was built at the Minneford Yard on City Island, N.Y., under the supervision of young Rod  Stephens, who developed an efficient deck layout and a new type of deck  ventilator (the Dorade vent) with a baffle that  separated incoming air from spray. In 1931 she won the transatlantic race to  England against many larger boats by two  days on elapsed time and also won a rough Fastnet Race. When they returned to  New York, the Stephenses were given a  ticker-tape parade up Broadway. Thinking Dorade too narrow and tender, when Stephens  had the opportunity to design another ocean racer  in 1934 he increased the beam by two feet and the result was Stormy Weather, which he regarded as the better  boat. These two boats transformed the design of offshore sailing yachts.
          In the meantime Olin  Stephens was playing an important role in the transition of yacht design from an  art to a science with artistic disciplines. Scientific yacht design, using  experiments and quantification of performance, came about because of his work  with Kenneth S. M. Davidson of the Stevens Institute of Technology, in  Hoboken, N.J. to develop a method for evaluating a  design by towing models in water tanks.
     It was soon used to help design  an America’s Cup winner. Stephens first became  involved with the America’s Cup in 1934 when he served in the  afterguard of the unsuccessful defense candidate Weetamoe, designed by Clinton  Crane. In 1936 Harold S. “Mike” Vanderbilt, who had defended the Cup in 1930 and  1934, brought Stephens together with W. Starling Burgess as a design team. Out  of a series of tests of models, some of Burgess’s design and some of Stephens’s,  came the great J-Class cutter Ranger, which dominated the 1937 America’s Cup season. She was one of the  most successful racing boats of all time. When the work began, the two designers  agreed to keep secret the identity of the one who produced the most successful  model. After Burgess’s death, Vanderbilt suggested publicly that the credit for  Ranger should go to Stephens. Stephens corrected him in a letter published in  Yachting saying that Ranger was largely Burgess’s product.
          Throughout the 1930's  Stephens continued to design Six Meters culminating in the very fast Goose and  her near sister Llanoria, winner of Olympic gold medals in 1948 and 1952. He  also designed 12-Metres and many cruiser-racers like the New York 32 class;  Brilliant, a heavy schooner now owned by the Mystic Seaport Museum; the Dutch  Zeearend; and the 72-foot yawl Baruna, which after World War II enjoyed famously  close racing with another S&S-designed 72-footer, Bolero, in which Stephens  sailed as a watch captain. 
         After the war, Stephens’s  work expanded internationally, and S&S-designed ocean racers with different  shapes won in Britain and Europe as in America. The Royal Ocean Racing Rule in  Britain was encouraging relatively narrow,  deep-bodied keel boats. The major championships under the Royal  Ocean Racing Club rating rule, including the Admiral’s Cup and One-Ton Cup, were  regularly won by S&S boats. In America, the Cruising Club of America rule  over several years (1955-60) produced beamy centerboarders that also did well in  ocean races. While Stephens designed centerboarders, he was not especially  enamored of the type because of its relatively low stability. Nevertheless, his  name is closely linked with centerboarders because of Carleton Mitchell’s  38-foot yawl Finisterre, which, beautifully prepared and brilliantly sailed by  her owner and his crack crew, won three straight Bermuda Races (1956, 1958 and  1960). In time, the Cruising Club of America Rating Rule was adjusted to  encourage narrower boats. In the late 1960s Stephens helped bring about the  first international measurement rule, the International Offshore Rule (IOR). He  later served as chairman of the rule’s International Technical Committee and  played an important role in the development of the International Measurement  System (IMS).
          One of Stephens’s concerns  was the seaworthiness of contemporary boats, many of which he thought too beamy,  high-sided, light and unstable. After the 1979 Fastnet Race storm left a trail  of capsized boats and 15 dead, Stephens wrote the shocking statement, “Some  modern ocean racers, and the cruising boats derived from them, are dangerous to  their crews.” In the early 1980s he helped direct a sophisticated study of the  causes of capsizes by keel boats that was co-sponsored by the United States  Yacht Racing Union and the Society of Naval Architects and Marine Engineers. Out  of this work came several reports and a book, "Desirable and  Undesirable Characteristics of Offshore Yachts," to which Stephens contributed  two articles.

Courageous, foreground, and Intrepid, both two-time  America's Cup defenders, designed 
by Olin Stephens. Rolex/Dan  Nerney.
 
 
     All this  time Stephens was producing successful racing boats, including the winners of a  total of eight of the nine America’s Cup matches between 1937 and 1980.  Other than Ranger, the most remarkable of these boats was Intrepid, the defender  in 1967 and, after alterations by Britton Chance Jr., again in 1970. She had a  rudder separate from her keel to reduce wetted surface and improve steering.  The separate rudder was not new, but  Stephens made it work on a number of increasingly large ocean racers (most  notably Thomas Watson’s Palawan) in the mid-60's before successfully  using it on Intrepid.
          While designing  America’s Cup defenders and ocean racers,  Stephens also produced a number of powerboats, motorsailers and cruising boats.  Stephens also was active in the design of day-racing boats, the best known of  which is the Lightning, a 19 foot three-person centerboarder designed in 1938  and raced worldwide. Other successful day boats included the 13.5 foot Blue Jay  (a small version of the Lightning), the 11.5 foot Interclub Dinghy and the  30-foot Shields keel boat. 
          After Drake Sparkman’s  death in 1964, Olin Stephens shouldered the firm’s administrative burden. His  chief assistants included his brother Rod, who supervised much of the rigging  design and construction, and Gil Wyland. Olin often raced in boats he designed  and was in regular attendance at Newport during America’s Cup summers.     Beginning in the  1930's, Stephens nurtured a creative, independent life ashore. He studied art  and painted, played the piano and read and traveled widely. He and his wife,  Susie, lived in a New  York suburb where they  raised two sons. On his retirement in 1978 (after designing or supervising the  design of more than 2,000 boats or classes), the Stephenses moved to northern  New England. Stephens continued his varied life  into his nineties. At nearby DartmouthCollege he took courses in mathematics and  helped teach a course on sailing for engineers. He developed his computer  skills, worked with a firm on software for studying aerodynamics, advised  America’s Cup syndicates and traveled often  and far to technical conferences and meetings of international rating rules  committees. When Dorade was returned to her original form by a dedicated new  owner in Italy in 1998, Stephens happily flew over  and joined her crew as she won two out of three races.
          At the age of 90, Olin  Stephens completed an insightful autobiography whose title — "All This and  Sailing, Too" — neatly summarized his view of life. On the last page he wrote:  “In all phases of my work I was conscious of the need for balance, and I did my  best to find balance in both the long and the short view. Broadly I think I can  say that I applied the principles of balance in design, in business and in the  pleasures I enjoyed.”
 
 
        
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